It was a really different celebration that happened at this year's Cinemalaya. It was light, quite unserious, but the merits were still given to those that deserve it. For those who don't know, it's an annual independent film festival made to empower those who make films, those who write, people in front and behind the cameras.
Leading electronics brand LG knows how important this is for Philippine cinema, and they've become a major sponsor for this event as they do their 21st installment. Their theme this year is "Layag sa Alon, Hangin at Unos" which means to journey through waves, the wind and the storm.
They also want to give importance to those who make these inspiring stories. They've always been part of efforts in making sure technology supports those who are in the creative industry and arts. Which is why they are doing the legwork, and will give some of them LG OLED Evo AI C5 television sets as this year's winners!
Here's some on the list:
The LG OLED evo AI TV's use "Perfect Black" technology which means you get the black that you want for the feel you intended to have on scenes. The sets also utilize A11 AI processor 4K Gen 2 so you get the depth and drama as the filmmaker intends to show. There's a lot to love on these really good TV's.
If it's good for Cinemalaya, you should think about what you want to have on your own home.
It's been a while since I've last seen Ms. Marian Rivera-Dantes. I also missed the opportunity to watch her latest movie "BALOTA" which was showcased at Cinemalaya XX which won her the Best Actress trophy for obvious reasons. The film mirrors real life (although satire), of an educator who goes over and beyond her duty in the classroom. Teacher Emmy not only thinks about her future, but spins in the optimism of electing leaders, and finding out the grim reality of the human psyche.
In a mayoralty race of their quaint town, they had the choice between a land grabbing power hungry woman, or a former s3xy actor. Since she also administers a precinct during the elections, she gets caught in the action when the result meant people seizing the ballot box she carries in order to win. The woman with integrity didn't budge with any force, and baddies even became more eager to find or eliminate her, no matter what it takes.
Marian by any means still looked every bit beautiful even if she was de-glamorized. The chase brought her to vehicles, the forest, the querida's house, the s3xy actor's house, the boondocks, something you wouldn't think she'd have to do as a premiere actress yet here we are. Marian says "I couldn't explain how I felt after shooting "Balota". I even mentioned to Dong how fulfilled I felt doing it despite me being in the industry for a while now. It fed my hunger to do worthwhile projects like these. I felt inspired after that win given to me by the Cinemalaya community."
The exciting thing is, they will be having this released for public viewing this coming October 16. This is produced by GMA Pictures, written and directed by Kip Oebanda. The film also includes actors Will Ashley, Raheel Bhyria, Royce Cabrera, Sassa Gurl, Esnyr, Donna Cariaga, Gardo Versoza, Mae Paner, Sue Prado, Joel Saracho, Donna Cariaga and Nico Antonio. Apt for the times, great story line that is cohesive. It's genius. Having Marian Rivera-Dantes is a great reason to also watch this. It's our story.
When I first looked at the entries for Cinemalaya this year, I took interest in this one. It was just fate when we had to take the trip down south to watch KONO BASHO, produced by Project8 and Mentorque Productions, written and Directed by Jaime Pacena II. One that talks about grief, acceptance, building or re-building relationships.
Kono Basho literally means "This Place". The story is about two sisters who met during their biological father's funeral in Rikuzentakata, a city in Northern Japan. For those who don't know, this city has been ravaged by the huge earthquake and tsunami that hit the Iwate prefecture in 2011. In a sense, they really haven't fully built things like how they were, but are now experiencing something even more tragic... plus the feeling of awkwardness because the sisters really didn't know much about each other.
Ella is Filipino via her Mom with her Japanese Father, whilst Reina is born to a Japanese mother (one that was kind and understanding). Friction between them was quite a lot, young women that were both damaged by their past, circumstances and distance. Rikuzentakata might have symbolized what they went through in the story, they both lost their Dad, with unequal memories of him because Ella never experienced life with him.
This starts their journey together, in a partly civil, kind, but definitely torn in a lot of ways. It's great how the director never forced the conversation in Filipino or Japanese. It felt natural, and fitting. You could feel their pain, their longing for love, and how much they wanted to find it from other people, and hopefully, with each other.
This has depression and all the things related to it. They also gave a glimpse of kintsugi, an art form of pottery where they use gold to put broken pieces together. It symbolized how fragile they were. They will take you in on that story, where you continue to hope if they'd be able to fix it. It shows their spirit, their community, and how you could move on from heartbreaking parts of your life.
Gabby Padilla isn't new to the business, and she showed how one could carry intellectual and emotional conversations like a light switch. You could say much of the conversation revolved and evolved around her, but it was done with intricacy, understandable diction, as she played an educator in the film. We asked her about her experience shooting the film especially since there's a language difference the actors had to endure. Her previous films actually helped!
As for the level of distraught you'll get from the film, Director Jaime Pacena said that they actually had a different treatment. You'll learn more about it as you watch the film. Even if the topic was so serious, it still felt quite refreshing to the eyes because the views there, were all just amazing! This is also the comeback film of Dan Villegas, one of the finest cinematographers in the country.
While the Japanese cast (especially the Mother and Reina) performed quite remarkably in this film (I've seen their previous projects and even shows on NHK), Gabby was up there with them. If you've got the opportunity to catch this film while Cinemalaya is still there, you should. I think they're planning to have this released internationally, and by the looks of it... they're certainly qualified. Those wide indoor and outdoor shots, photography alone, is crazy good.
Congratulations to the men and women who made this film, you should definitely have this be exhibited in festivals elsewhere!
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