Go watch MAKANA on the weekend!

The Philippine School of Interior Design - Ahlen Institute Inc. just gave us a glimpse of this year's theme PHusion made by the class of 2023. In the past, they had a lot of these displayed at the Greenfield Tower's 5th Floor. Since it was the pandemic, they had a smaller number of spaces designed. Though there was certainly no shortage in talent, I loved what I saw during this batch.
PHusion is all about culture and how it influences design. With these spaces catering to Filipino and individuals from different countries, they were able to meld this together. Though just like the other times, it's in the "details" and the designer's interpretation of what they understand from the culture of the other country they are doing. I was assisted by Nicole and shown around the different displays this year.
FILIPINO x EGYPTIAN
They call this space PER ANK which means Key of Life.
Their two countries were at opposite sides of the world, but they particularly thought of color as common ground to bring this together. The brown sand dune hues, the wood, the several pieces of furniture, the native baskets on the ceiling (as light treatments), the Malakas-Maganda figures etched on the cement wall, the pillars with Egyptian hieroglyphs (as accent wall) plus the Baybayin writings they customized was impressive to see. They knew one could overwhelm the other design and they were careful not to do that. This was certainly a good start.
FILIPINO x SOUTH AFRICA
They call this BAHAY UBUNTU. A term I'm quite familiar with because I'm a Computer Engineer, it's about compassion for others.
South Africa must be a little hard to put into design, but they've managed to concentrate on things that are common with the Philippines. The wood elements are present, they showed the glass table top that remained transparent to show the various wood underneath. What impressed me the most was the Nipa hut style on the ceiling, but it was made of a different material that can withstand years of abuse. It was efficient, virtually pleasing to the eyes, and the prints represented the South African flair.
FILIPINO x AMERICAN
This time, they used light to define two spaces. The couple they depicted here spend much time in the kitchen which is why the space had the large counter. This is also old 1930's themed which had more gold and geometric elements. The bar with the capiz window treatment and the iconic Kutsara Tinidor on the wall probably gives that Filipino touch. I get why they named it FILLENIUM.
FILIPINO x NICARAGUAN
One thing we have in common with Nicaragua is the tropics, which is why they used plants as part of the design in this space. It's a bath, vanity and closet, where you can take refuge and relax after a stressful day.
They didn't overwork the theme, they did it very simple. The natural elements like the weaving on the wall and ceiling plus a 70's style wall blocks has that Filipino stamp. It's very well executed, and didn't have to get too busy in the eyes to interpret their theme RELAJARSE.
FILIPINO x BRAZILIAN
This is called A DIVERSAO. Since the Philippines and Brazil enjoy tropical weather, that's where they have the theme combined. The wall on the shelves are from the Brazilian sunsets, also the curved lines which are common in Brazilian homes. They also had coconut on the face of the cabinets plus the solihiya weaving on the ceiling to make sure there's still Filipino in it. The design of the floor is also an interpretation of Brazilian black and white patterns. They used it to separate the space between the play area and lounge.
FILIPINO x FRENCH
This space was designed to mix the Filipino and French elements, but had more than what they bargained for. Think of it as a French space with a more worldly view because they also included the vibes of a well traveled individual who takes different pieces from different places and take them home.
I like the balcony, the wall treatments, and the carvings which are innately Filipino. They made it a tad lighter to see, not clunky and max which most Filipino spaces depict. They also had parts likened to "Bahay na Bato". The various things they placed on shelves were shabby chic, floral, to simply get the feel of the French homes with centuries worth of art. I like the artwork and chairs the most.
FILIPINO x SCANDINAVIAN
The designers of this space called LAGOM had one problem, it was to mix a more max design culture in the Philippines to the one minimalist style from Scandinavian countries. I loved that wall in the back that transitions into shelves on one side then disappears when you look at it from the other side. The light in the center also was a good choice, the shadows land on the different pieces of furniture and give it a more warm glow. They also had wood, employ a concentric design to have less corners from different views.
FILIPINO x BRITISH
One side of this had Chesterfield sofas which was apt for those who wouldn't want their suits get creases, a classic in every British space. I liked how they used wood mainly which was done to have that Filipino touch. The face of the cupboards and cabinets was also customized with a regional Lumban Barong Tagalog strip which made a statement, it is possible to mix the west and the East. I like how this was done, perfect for the Bachelor client they depicted who wanted this and all the natural elements he wanted from the Philippines.
FILIPINO x ITALIAN
This space reminds me of the bougie Gotti family (though not maximalist). There were gold elements on the recessed wall, fabulous light installation and also the curved arches on the lavatory with a twin waterfall faucets. It was fresh looking, light and airy despite having some big pieces on the wall and different spaces. The wall was a light pink, it didn't clash with the space despite it having a more ethnic design on the center. They did good.
FILIPINO x AUSTRALIAN
This was one impressive space. The work area with a Boomerang shaped table, the recessed wall shaped like the mountains in the outback, the beach dotted artwork (made by one of the members to depict the Great Barrier Reef), that's some of the items that are extremely OZ. The hammock, a place to take rest after a stressful day, with rhum in hand via the cart, it is like a vacation in the Philippines. I can see they used wood pretty much everywhere, which is something common with us too. The abaca fiber on top, plus how the spaces were separated was a good idea. It's a serious place for business, but comforting after that.
FILIPINO x JAPANESE
This bedroom is a personal favorite. You can see why.
The capiz wall, the arches, the floor, they all depict the rising sun. It's an element both Japan and the Philippines share, which is why they wanted the 8 rays in the sun also included. They also mixed the home grown farmer hat salakot and bangasa which is mostly seen in Japanese festivals. They also did night and day (sun and moon), as seen on the floors. The bamboo, the circular patterns, even the Kenneth Cobunpue chair in red just fit right in. With so many elements, it didn't look cluttered at all. Excellent work, they named it Pearl of the Orient Meets Prosperity.
FILIPINO x PERSIAN
Designed for a Filipino Iranian family, this wreaks blue royal homes in Iran with woodwork and intricate details from both countries. They have a space made for recreation, bonding on the floor because that's how they do it. They also have sliding doors for the television, as most want it kept. Look at the details on the green built-ins which they wanted to do because of extreme need for storage especially in Persian homes.
If you want to see the exhibit, it's at the Greenfield Tower's 5th Floor. Thank you so much to the nice people we met from the 2023 Batch of PSID. Thank you also to the Batch Adviser IDr. Nicanor Jardenil whom we talked to later that morning. You guys did good this year!
I've been recommending a lot of places to live in and sometimes it just is getting a little expensive to do because instead of just plainly recommending it, I'd mostly be contemplating to do investments instead LOL. Why? Because sometimes you get the nitty gritty details that are just too attractive to pass on. Case in point is Kizuna Heights, an urban residential mecca right in the heart of the university belt.
As the name suggests, it's a Japanese inspired condominium project that's situated in Taft Avenue. This place is very near De La Salle University, College of St. Benilde, UP Manila, Letran, Adamson, so it's pretty good for families with students in tow. It's a great place tor receive your next course or do graduate studies if you're looking for opportunities like that. It's also near business establishments, churches, banks, and the cultural district of Manila.
Ms. Teresa Tumbaga the property Division Head says "Living here is like taking part in Manila's rich history, you get to visit parks, iconic places because of its close proximity to Kizuna Heights. The address is highly sought after, and we are giving the chance to live in an urban metropolis, and have a life that they deserve at this address."
If you're looking for investments, you know where to go! Visit their official website vistaresidences.com.ph/properties/kizuna and their social channels to get more information.
The first few episodes will be very exciting as she talks to top Korean content creators, the media, big networks, even a trip to world famous Lotteworld, even learn from top Korean choreographers so Liza can do a few KPOP dance numbers on the YouTube series.
To get you more excited, here's a teaser from the show!
For those who want to see the series when it comes out, go and subscribe via the PHH TV YouTube channel here. You may opt to see it on IG via the Lacimer official account which you can find here. If you're excited about what Liza Soberano is doing in Korea, this certainly will get you acquainted with what she's been up to these past few months. I'm sure just like me, you really miss her!
This is produced by JJ Global Group in Korea.
Hulagway means "a portrait" and this film lengthily has taken a look at the person, how one lives, how they communicate with their peers or the community. There are also a lot of metaphorical representation of their struggles, even if they're literally not working with a script, the conversations was molded off how language was used as a tool to enrich lives with stories, songs and poems deeply rooted in culture.
Needless to say, he's a genius when it comes to really complex artsy topics like these and interpreting it for cinema must have been a tall task. His treatment in telling this one is like a documentary. He anchors it with two characters Consuelo (played by Sue Prado) and Robert (which is played by Kalil Almonte). They took the long hard trek to far flung communities in the eastern side of Isabela (up north) and islands off Palawan.
Imagine, they started this in 2018 and had to work together with only 15 other crew carrying with them loads of equipment to capture unadulterated views, communities and the few men and women who still have a grasp of the dying languages Dupaninan Agta and Tandulanen Tagbanua. This is officially the most difficult film Alvin Yapan has ever made, he made mention of this during the talk we had after the screening. Initially, they had planned to include 6/7 of them (dialects/languages) but the material was too precious to cut off the block. It was also a little too tedious as it involved time consuming research, with little information from various universities (mostly from outside the country) who have conducted studies about them in previous years, they roughed the process of filming and took on talking to the few descendants left who still have a grasp of the language. My favorite scene was the boat traversing a line of mangroves in Palawan, they talked about that on the video.
Here's the press conference in two parts where they explained the film and the cause of saving the dialects from these two regions.
During the latter part of the press conference I asked about what concrete plans they have about saving the dying dialect, and they replied that this is just the first step, to become aware, educated, and acknowledge that there is something precious to save.
The plan is to also have this film be viewed by educational institutions to not just prove its existence, but to formulate a way to find ways to have people teach these dialects and pass on to the next generation. To not lose their identity as IP, and celebrate their uniqueness, their differences, which makes them cool. If this sparks efforts to do so not just from the government, but the citizens of this country, then this film made its mark. Make sure to coordinate with NCCA if you want your school to be part of the film's tour in the coming months. There's more languages/dialects to save in the country, and telling their story is essential.
Make sure to watch it. It'll be life changing!
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Mountain Climbing, a good activity in the alps!
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